In this sequel to Father of the Bride, newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
The first feature length film to use three-strip Technicolor film. Adapted from a play that was adapted from William Makepeace Thackeray’s book “Vanity Fair”, the film looks at the English class system during the Napoleonic Wars era.
When the bride’s mother is supposedly swindled out of her money by a spurned suitor, the groom’s father orchestrates a scheme of his own to set things right. He is aided by a cabaret singer, while placating a jealous wife.
Topper is once again tormented by a fun-loving spirit. This time, it’s Gail Richards, who was accidentally murdered while vacationing at the home of her wealthy friend, Ann Carrington (Landis), the intended victim. With Topper’s help, Gail sets out to find her killer with the expected zany results.