The Last Man on Earth
When a disease turns all of humanity into the living dead, the last man on earth becomes a reluctant vampire hunter.
The Last Man on Earth Read More »
When a disease turns all of humanity into the living dead, the last man on earth becomes a reluctant vampire hunter.
The Last Man on Earth Read More »
A scientific experiment involving subjecting a corpse to an extreme charge of electricity accidentally revives an executed criminal and makes him impervious to harm, allowing him to seek revenge on his former partners, and deal similarly with anyone else who gets in his way.
Indestructible Man Read More »
Frederick Loren has invited five strangers to a party of a lifetime. He is offering each of them $10,000 if they can stay the night in a house. But the house is no ordinary house. This house has a reputation for murder. Frederick offers them each a gun for protection. They all arrived in a hearse and will either leave in it $10,000 richer or leave in it dead!
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When an escaped circus gorilla appears to have gone on a murderous rampage, a threatened attorney calls on the detective trio of Garrity, Harrigan and Mullivan to act as bodyguards. In short order, we discover that there is more to the attorney than meets the eye, and the ape may be innocent after all. When a pretty young heiress faces peril, it’s up to our heroic trio to save the day.
Dr. Carruthers feels bitter at being betrayed by his employers, Heath and Morton, when they became rich as a result of a product he devised. He gains revenge by electrically enlarging bats and sending them out to kill his employers’ family members by instilling in the bats a hatred for a particular perfume he has discovered, which he gets his victims to apply before going outdoors. Johnny Layton, a reporter, finally figures out Carruthers is
Shocked by the death of her spouse, a scheming widow hatches a bold plan to get her hands on the inheritance, unaware that she is targeted by an axe-wielding murderer who lurks in the family’s estate. What mystery shrouds the noble house?
Mary Henry ends up the sole survivor of a fatal car accident through mysterious circumstances. Trying to put the incident behind her, she moves to Utah and takes a job as a church organist. But her fresh start is interrupted by visions of a fiendish man. As the visions begin to occur more frequently, Mary finds herself drawn to the deserted carnival on the outskirts of town. The strangely alluring carnival may hold the secret
Nerdy Walter Paisley (Dick Miller), a maladroit busboy at a beatnik café who doesn’t fit in with the cool scene around him, attempts to woo his beautiful co-worker, Carla (Barboura Morris), by making a bust of her. When his klutziness results in the death of his landlady’s cat, he panics and hides its body under a layer of plaster. But when Carla and her friends enthuse over the resulting artwork, Walter decides to create some
Dr. Bill Cortner and his fiancée, Jan Compton, are driving to his lab when they get into a horrible car accident. Compton is decapitated. But Cortner is not fazed by this seemingly insurmountable hurdle. His expertise is in transplants, and he is excited to perform the first head transplant. Keeping Compton’s head alive in his lab, Cortner plans the groundbreaking yet unorthodox surgery. First, however, he needs a body.
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Mystery writer Cornelia Van Gorder has rented a country house called “The Oaks”, which not long ago was the scene of some murders committed by a strange and violent criminal known as “The Bat”. Meanwhile, the house’s owner, bank president John Fleming, has recently embezzled one million dollars in securities and has hidden the proceeds in the house, but is killed before he can retrieve it.
A backwoods game warden and a local doctor discover that giant leeches are responsible for disappearances and deaths in a local swamp, but the local police don’t believe them.
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Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen’s legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious– instead it’s a witches’ brew of the scary, gross, and darkly humorous.